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The projects presented here are three- dimensional in form, but bases itself upon the written word, which usually is two- dimensional. keramikk has an expression that corresponds directly to its content. By giving the letters the size and physical presence of a human being, they become something abstract, and something we are not used to reading. The work is done in a personal handwriting- style, adding to its plasticity, and this combined with the plasticity of the material itself, gives the work an enhanced flexibility, quite different from a textbook letter, which has more static and anonymous qualities. The expression in the works skriftens materialitet and taktil tekst is also referring to its content.
The current one is on display at the exhibition TAKTIL at Hå Gamle Prestegård this Autumn, 2008.
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